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John Coltrane had yet to move into his modal post-bop phase in 1958 when he recorded a session for Prestige Records on July 11 with trumpeter/flügelhornist Wilbur Harden, pianist Red Garland, bassist Paul Chambers, and drummer Jimmy Cobb, the results of which were issued in 1962 as Standard Coltrane. His groundbreaking modal work with Miles Davis on Kind of Blue was still a few months into the future, which makes this set truly historical. The highlight is most definitely a ten-plus-minute version of ''Invitation.''

Newly reissued on vinyl, Standard Coltrane is an essential addition to all jazz collections; and a ''MUST HAVE'' for all Coltrane aficionados.

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Customer reviews

4.8 out of 54.8 out of 5
38 global ratings

Top reviews from the United States

Brad Richman
4.0 out of 5 starsVerified Purchase
''Trane Is the "Standard"
Reviewed in the United States on August 15, 2009
While I''ve owned all of John Coltrane''s Atlantic and Impulse recordings for going on 15 years, it is only recently that I''ve sought to complete my collection of his various albums on the Prestige label, many of which have been recently remastered in the RVG series. These... See more
While I''ve owned all of John Coltrane''s Atlantic and Impulse recordings for going on 15 years, it is only recently that I''ve sought to complete my collection of his various albums on the Prestige label, many of which have been recently remastered in the RVG series. These late 50s works don''t reach the same lofty improvisational heights of his mid 60s masterpieces, and generally don''t even feature the first rate original compisitions of his early 60s dates, but what they do have is Trane''s trademark tenor-sax tone, which is truly one of the great listening pleasures in all of jazz. "Standard Coltrane" features four tunes from Coltrane''s penultimate Prestige session of July 11, 1958 -- two more tracks recorded on this day were included on Stardust (RVG Remastered) (see my review). All of the numbers feature a quintet of his then Miles Davis bandmates Red Garland, Paul Chambers and Jimmy Cobb, with Wilbur Harden joining the frontline on trumpet. This disc is meaningful as a chance to hear Trane in a primarily ballad setting at a time when he was best known for his trademark "sheets of sound." While "Standard" is not essential by any means, even average Trane sets a standard by which all other jazz tenor-saxophonists must be judged.
7 people found this helpful
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Kirk Barlow
3.0 out of 5 starsVerified Purchase
Quality
Reviewed in the United States on October 5, 2018
Pretty good, like other albums more
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Richard Doughty
4.0 out of 5 starsVerified Purchase
What a talent
Reviewed in the United States on April 2, 2019
Excellent music
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Trevor
5.0 out of 5 starsVerified Purchase
Coltrane and Wilbur Harden....
Reviewed in the United States on December 11, 2016
Lately I''ve been enjoying these John Coltrane and Wilbur Harden sessions both the Savoy recordings collected together on the Mainstream 2CD set, Stardust and now Standard Prestige releases, can''t be beat.
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Mary wright
5.0 out of 5 starsVerified Purchase
Jazz great
Reviewed in the United States on February 24, 2020
Gift for grandson
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John E. Dunlap
4.0 out of 5 starsVerified Purchase
Good Introduction
Reviewed in the United States on November 13, 2016
This CD is a good display of Coltrane''s talent as a saxophone player. It is an excellent introduction to Coltrane''s music.
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William M
5.0 out of 5 starsVerified Purchase
Vintage Bebop Jazz by a Master
Reviewed in the United States on November 22, 2013
John Coltrane -- what more can I say. If you like bebop jazz, John''s the man, and this album has four long tracks of some of the best.
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William M. Beveridge
5.0 out of 5 starsVerified Purchase
Above Standard
Reviewed in the United States on September 25, 2014
Great jazz
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Top reviews from other countries

Allmusichasvalue
4.0 out of 5 starsVerified Purchase
Maestro
Reviewed in the United Kingdom on April 18, 2019
Up to coltrane''s high standard...pun intended
Up to coltrane''s high standard...pun intended
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Toggan
5.0 out of 5 starsVerified Purchase
Five Stars
Reviewed in the United Kingdom on October 12, 2017
Coltrane as his best
Coltrane as his best
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G. Pechura
5.0 out of 5 starsVerified Purchase
Unverwechselbarer Sound
Reviewed in Germany on October 14, 2009
Ein weiteres Album aus John Coltrane''s Prestige-Zeit, im Juli 1958 zwei Monate nach "Black Pearls" aufgenommen. Die übliche Rhythmusgruppe mit Red Garland (p) und Paul Chambers (b) wird diesmal von Jimmy Cobb (dr) ergänzt, weiterhin spielt der junge Detroiter...See more
Ein weiteres Album aus John Coltrane''s Prestige-Zeit, im Juli 1958 zwei Monate nach "Black Pearls" aufgenommen. Die übliche Rhythmusgruppe mit Red Garland (p) und Paul Chambers (b) wird diesmal von Jimmy Cobb (dr) ergänzt, weiterhin spielt der junge Detroiter Trompeter/Flügelhornist Wilbur Harden mit (im März desselben Jahres hatte Coltrane auf dessen Album für Savoy mitgewirkt). Auch diese LP schlummerte mehrere Jahre in den Prestige-Archiven, erst 1962, als Coltrane''s Ruhm bereits auf dem Weg zum Kult-Status war, veröffentlichte man sie. Langsame bis mittlere Tempi herrschen vor, von modaler Improvisation noch nichts zu spüren, dafür aber aber lange Melodielinien, wieder und wieder bearbeitet und variiert: ein unverwechselbarer Sound. Wilbur Harden hat wenig zu sagen, ein paar kurze Soli, aber er hat einen ganz eigentümlichen, sehr schönen, weichen, runden Trompetenton, jedoch klar in der Hardbop-Schule verwurzelt.
Ein weiteres Album aus John Coltrane''s Prestige-Zeit, im Juli 1958 zwei Monate nach "Black Pearls" aufgenommen. Die übliche Rhythmusgruppe mit Red Garland (p) und Paul Chambers (b) wird diesmal von Jimmy Cobb (dr) ergänzt, weiterhin spielt der junge Detroiter Trompeter/Flügelhornist Wilbur Harden mit (im März desselben Jahres hatte Coltrane auf dessen Album für Savoy mitgewirkt). Auch diese LP schlummerte mehrere Jahre in den Prestige-Archiven, erst 1962, als Coltrane''s Ruhm bereits auf dem Weg zum Kult-Status war, veröffentlichte man sie. Langsame bis mittlere Tempi herrschen vor, von modaler Improvisation noch nichts zu spüren, dafür aber aber lange Melodielinien, wieder und wieder bearbeitet und variiert: ein unverwechselbarer Sound. Wilbur Harden hat wenig zu sagen, ein paar kurze Soli, aber er hat einen ganz eigentümlichen, sehr schönen, weichen, runden Trompetenton, jedoch klar in der Hardbop-Schule verwurzelt.
7 people found this helpful
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Alexandru
5.0 out of 5 starsVerified Purchase
Prestige
Reviewed in Germany on July 20, 2016
This is the genuin vinyl produced and distributed by Concord/ Prestige, the owner of the master source. It sounds great. DO NOT BUY the vinyl from WAX TIME. It''s a fake cut from a digital file. You will pay twice the price for a vinyl with a sound quality of a cd or even...See more
This is the genuin vinyl produced and distributed by Concord/ Prestige, the owner of the master source. It sounds great. DO NOT BUY the vinyl from WAX TIME. It''s a fake cut from a digital file. You will pay twice the price for a vinyl with a sound quality of a cd or even worse. This LP deserves more than a countrified replica of a Spanish trickster.
This is the genuin vinyl produced and distributed by Concord/ Prestige, the owner of the master source. It sounds great. DO NOT BUY the vinyl from WAX TIME. It''s a fake cut from a digital file. You will pay twice the price for a vinyl with a sound quality of a cd or even worse. This LP deserves more than a countrified replica of a Spanish trickster.
3 people found this helpful
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Julie D
5.0 out of 5 starsVerified Purchase
Music For Pleasure
Reviewed in the United Kingdom on August 14, 2013
As very much a newcomer to jazz, I''d wanted to sample some Coltrane for a long time and saw this album for an enticingly modest sum on Amazon. It''s really good - no particular interpretational skills or years of listening to the genre required before you can appreciate...See more
As very much a newcomer to jazz, I''d wanted to sample some Coltrane for a long time and saw this album for an enticingly modest sum on Amazon. It''s really good - no particular interpretational skills or years of listening to the genre required before you can appreciate this, though I''m sure the experience could only be magnified by greater immersion. The point is there''s nothing tricksy or intimidating here and if you like good music you may well like this. In relation to the Coltrane body of work I get the feeling ''Standard Coltrane'' ranks as kind of basic which is why I chose it as a first album to try. Cool notes for a hot summer''s day.
As very much a newcomer to jazz, I''d wanted to sample some Coltrane for a long time and saw this album for an enticingly modest sum on Amazon. It''s really good - no particular interpretational skills or years of listening to the genre required before you can appreciate this, though I''m sure the experience could only be magnified by greater immersion. The point is there''s nothing tricksy or intimidating here and if you like good music you may well like this. In relation to the Coltrane body of work I get the feeling ''Standard Coltrane'' ranks as kind of basic which is why I chose it as a first album to try. Cool notes for a hot summer''s day.
3 people found this helpful
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